Pierce Singgih October 23, The Enhancing Nature of the Lens Plot Watch this video essay about a cinematography technique that draws viewers deeper into the story. Focus Features Share Tweet Cinematography and photography are an intricate art. Apart from learning the basic functions of the camera, aspiring cinematographers and photographers have to learn all the complexities of shot composition, lighting, and capturing the right moment. In the case of cinematography, one adds a moving element that requires you to present a story and narrative, drawing audiences deeper into the moments of emotion the characters face.
Our film history curriculum at that point had been mostly European and American cinema. While still American, this was something completely different.
More than just that, it was a visceral film experience, a wake-up call, but also an affirmation. Spike Lee plays Mookie, a year-old who seems to be meandering through life, but is on a mission to get paid.
Lee moved beyond stereotypes of African Americans in cinema and created characters reflected in the everyday. Even though this infliction is frivolous, it leads to a cathartic prophetic? He is mostly an irritant in the neighbourhood.
Radio Raheem is unnecessarily confrontational with the Korean shopkeepers who have recently moved onto the block. Learn how to speak English first, alright? Ironically, there is not that much black and white in this film; the characters live in a world of greys.
While the film has no typical heroes, it is more clear about its villains, particularly the police. He was real, we knew him. The mob had earlier tried to chase him and his friends out of their neighbourhood for being black.
This story is sadly familiar nearly 30 years later. Why is it still relevant today? Inamidst the BlackLivesMatter movementand a never-ending list of unarmed African Americans being killed by policethe film is even more relevant.
Inyoung black men were nine times more likely to be killed at the hands of police than other Americans, and looks to be on par. When the film was released, journalists feared it would spark race riots and hate crimes.
There were even warnings issued to white people to avoid seeing the film. Instead, it caused a nation to reflect, and affirmed the black experience around the world.
Despite critical and fan acclaim, the film was mostly snubbed by the Academy Awards inreceiving two nominations for Best Writing and Best Supporting Actor Danny Aiello. Spike Lee accepting an honorary award at the Oscars in Lee fought to get the story told on his terms, exchanging larger financial support for his artistic vision.
As a filmmaker, one can only hope to create work with such long-lasting affect.The main character is usually either a protagonist or antagonist.
These are the people in the story who are most important. A protagonist is a "good guy" and an antagonist is a "bad guy." A story may have one or both.
In your analysis you should describe the main character and the other characters. One of the most prolific New York filmmakers, Spike Lee, released his masterpiece “Do the Right Thing,” which was extremely relevant at its time and continues to be today. Black Films Matter: Reassessing Spike Lee’s ‘Do the Right Thing’ in Post-Ferguson America By Darren Reid • May 30, Art, Culture, Film, History, Politics, Research Charged with social awareness and style, Spike Lee’s film, Do the Right Thing is nothing less than a street ballet.
Very interesting interpretation of the Cain story. Do the Right Thing makes me think of Spike Lee.
Spike Lee makes me think of Do the Right Thing. Do a showcase college game, hire an agent, then do the combine/pro day, then you're drafted (or not).
After that, it's business as usual, but with more "real life" added to the mix. The whole thing is based on reaching the Hall of Fame by building three categories: number of . Getting to the Core of Your Characters August 8, in The Heart of Your Story with 42 Comments Leon Surmelian in his book (written forty years ago) Techniques of Fiction Writing, has this to say about creating characters in fiction: “Characterization is a complex and elusive art and cannot be reduced to exact rules or to a comprehensive.